Performing Pain and Inflammation: Rendering the Invisible Visible

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Performing Pain and Inflammation : Rendering the Invisible Visible. / Dokumaci, Arseli.

I: AMA journal of ethics, Bind 19, Nr. 8, 01.08.2017, s. 834-838.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Dokumaci, A 2017, 'Performing Pain and Inflammation: Rendering the Invisible Visible', AMA journal of ethics, bind 19, nr. 8, s. 834-838. https://doi.org/10.1001/journalofethics.2017.19.8.imhl1-1708

APA

Dokumaci, A. (2017). Performing Pain and Inflammation: Rendering the Invisible Visible. AMA journal of ethics, 19(8), 834-838. https://doi.org/10.1001/journalofethics.2017.19.8.imhl1-1708

Vancouver

Dokumaci A. Performing Pain and Inflammation: Rendering the Invisible Visible. AMA journal of ethics. 2017 aug. 1;19(8):834-838. https://doi.org/10.1001/journalofethics.2017.19.8.imhl1-1708

Author

Dokumaci, Arseli. / Performing Pain and Inflammation : Rendering the Invisible Visible. I: AMA journal of ethics. 2017 ; Bind 19, Nr. 8. s. 834-838.

Bibtex

@article{2505630d0c8a4997ba0ce3c04c7dce68,
title = "Performing Pain and Inflammation: Rendering the Invisible Visible",
abstract = "These drawings represent everyday experiences of an artist who has been living with rheumatoid arthritis since her teenage years. Over the course of 20 years, the disease has damaged a series of joints in her body. Pain and inflammation accompany the most mundane of her movements and gestures. Fatigue and side effects of medications are routine parts of life. None of her impairments are publicly recognized and duly accommodated, as she is not (yet) visibly disabled. Asking for a seat on the bus, for instance, turns into a thorough social negotiation, as does having to constantly remind people that she actually is disabled. Lacking visual signs of disability, she is often accosted for {"}evidence{"}-an authentication, a reminder of {"}her{"} disability. With these drawings, each of which describes the artist's daily negotiations with pain, inflammation, and fatigue, she seeks to render visible what remains locked up within the boundaries of her skin.",
author = "Arseli Dokumaci",
year = "2017",
month = aug,
day = "1",
doi = "10.1001/journalofethics.2017.19.8.imhl1-1708",
language = "English",
volume = "19",
pages = "834--838",
journal = "AMA journal of ethics",
issn = "2376-6980",
publisher = "American Medical Association",
number = "8",

}

RIS

TY - JOUR

T1 - Performing Pain and Inflammation

T2 - Rendering the Invisible Visible

AU - Dokumaci, Arseli

PY - 2017/8/1

Y1 - 2017/8/1

N2 - These drawings represent everyday experiences of an artist who has been living with rheumatoid arthritis since her teenage years. Over the course of 20 years, the disease has damaged a series of joints in her body. Pain and inflammation accompany the most mundane of her movements and gestures. Fatigue and side effects of medications are routine parts of life. None of her impairments are publicly recognized and duly accommodated, as she is not (yet) visibly disabled. Asking for a seat on the bus, for instance, turns into a thorough social negotiation, as does having to constantly remind people that she actually is disabled. Lacking visual signs of disability, she is often accosted for "evidence"-an authentication, a reminder of "her" disability. With these drawings, each of which describes the artist's daily negotiations with pain, inflammation, and fatigue, she seeks to render visible what remains locked up within the boundaries of her skin.

AB - These drawings represent everyday experiences of an artist who has been living with rheumatoid arthritis since her teenage years. Over the course of 20 years, the disease has damaged a series of joints in her body. Pain and inflammation accompany the most mundane of her movements and gestures. Fatigue and side effects of medications are routine parts of life. None of her impairments are publicly recognized and duly accommodated, as she is not (yet) visibly disabled. Asking for a seat on the bus, for instance, turns into a thorough social negotiation, as does having to constantly remind people that she actually is disabled. Lacking visual signs of disability, she is often accosted for "evidence"-an authentication, a reminder of "her" disability. With these drawings, each of which describes the artist's daily negotiations with pain, inflammation, and fatigue, she seeks to render visible what remains locked up within the boundaries of her skin.

U2 - 10.1001/journalofethics.2017.19.8.imhl1-1708

DO - 10.1001/journalofethics.2017.19.8.imhl1-1708

M3 - Journal article

C2 - 28846523

AN - SCOPUS:85041696036

VL - 19

SP - 834

EP - 838

JO - AMA journal of ethics

JF - AMA journal of ethics

SN - 2376-6980

IS - 8

ER -

ID: 197220408