Prahlad and Shanta: the city’s madness

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Prahlad and Shanta : the city’s madness. / Malini Sur ; Sen, Atreyee.

I: Contemporary South Asia, Bind 28, Nr. 4, 2020, s. 498-510.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Malini Sur & Sen, A 2020, 'Prahlad and Shanta: the city’s madness', Contemporary South Asia, bind 28, nr. 4, s. 498-510. https://doi.org/10.1080/09584935.2020.1842857

APA

Malini Sur, & Sen, A. (2020). Prahlad and Shanta: the city’s madness. Contemporary South Asia, 28(4), 498-510. https://doi.org/10.1080/09584935.2020.1842857

Vancouver

Malini Sur, Sen A. Prahlad and Shanta: the city’s madness. Contemporary South Asia. 2020;28(4):498-510. https://doi.org/10.1080/09584935.2020.1842857

Author

Malini Sur ; Sen, Atreyee. / Prahlad and Shanta : the city’s madness. I: Contemporary South Asia. 2020 ; Bind 28, Nr. 4. s. 498-510.

Bibtex

@article{2c489ffe8d8749ebbc2acb1a76f18f21,
title = "Prahlad and Shanta: the city{\textquoteright}s madness",
abstract = "This article explores the irreverent and supposedly irrational actions of two protagonists, Prahlad and Shanta, characters that the authors encountered during the course of their extended fieldwork in Kolkata. Prahlad is an Oriya migrant plumber who passionately seeks god at the cost of making money, and resists adhering to rational economic behaviour in the city. Shanta is a grieving mother who relentlessly seeks justice for her son{\textquoteright}s disappearance during a revolutionary movement that consumed the majority of urban youth in the 1970s. Family, friends, neighbours and employers describe and at time dismiss rgen as pagla or insane. This article foregrounds these expressions of paglami or madness in Kolkata. We ask: how does close ethnographic attention to quotidian madness – its articulations, exploitations and resistances – enable us to rethink urban lives? We argue that dissension, alienation and {\textquoteleft}unreasonable fixations{\textquoteright} are affective thresholds of a changing city. They corroborate the ways in which the city{\textquoteright}s transforming political landscape impinges on its ordinary lives.",
author = "{Malini Sur} and Atreyee Sen",
year = "2020",
doi = "10.1080/09584935.2020.1842857",
language = "English",
volume = "28",
pages = "498--510",
journal = "Contemporary South Asia",
issn = "0958-4935",
publisher = "Routledge",
number = "4",

}

RIS

TY - JOUR

T1 - Prahlad and Shanta

T2 - the city’s madness

AU - Malini Sur

AU - Sen, Atreyee

PY - 2020

Y1 - 2020

N2 - This article explores the irreverent and supposedly irrational actions of two protagonists, Prahlad and Shanta, characters that the authors encountered during the course of their extended fieldwork in Kolkata. Prahlad is an Oriya migrant plumber who passionately seeks god at the cost of making money, and resists adhering to rational economic behaviour in the city. Shanta is a grieving mother who relentlessly seeks justice for her son’s disappearance during a revolutionary movement that consumed the majority of urban youth in the 1970s. Family, friends, neighbours and employers describe and at time dismiss rgen as pagla or insane. This article foregrounds these expressions of paglami or madness in Kolkata. We ask: how does close ethnographic attention to quotidian madness – its articulations, exploitations and resistances – enable us to rethink urban lives? We argue that dissension, alienation and ‘unreasonable fixations’ are affective thresholds of a changing city. They corroborate the ways in which the city’s transforming political landscape impinges on its ordinary lives.

AB - This article explores the irreverent and supposedly irrational actions of two protagonists, Prahlad and Shanta, characters that the authors encountered during the course of their extended fieldwork in Kolkata. Prahlad is an Oriya migrant plumber who passionately seeks god at the cost of making money, and resists adhering to rational economic behaviour in the city. Shanta is a grieving mother who relentlessly seeks justice for her son’s disappearance during a revolutionary movement that consumed the majority of urban youth in the 1970s. Family, friends, neighbours and employers describe and at time dismiss rgen as pagla or insane. This article foregrounds these expressions of paglami or madness in Kolkata. We ask: how does close ethnographic attention to quotidian madness – its articulations, exploitations and resistances – enable us to rethink urban lives? We argue that dissension, alienation and ‘unreasonable fixations’ are affective thresholds of a changing city. They corroborate the ways in which the city’s transforming political landscape impinges on its ordinary lives.

U2 - 10.1080/09584935.2020.1842857

DO - 10.1080/09584935.2020.1842857

M3 - Journal article

VL - 28

SP - 498

EP - 510

JO - Contemporary South Asia

JF - Contemporary South Asia

SN - 0958-4935

IS - 4

ER -

ID: 255514461